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Jean-Luc Godard


209 Movies1TV shows
0/210 rated

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About Jean-Luc Godard

Jean-Luc Godard is a 91 years old male from Paris, France. Jean-Luc is most well known for directing, and has 210 known credits, of which 209 are movies, and 1 are TV shows.

Jean-Luc Godard’s highest rated movies

If you enjoy Jean-Luc Godard’s movies you should definitely watch Weekend (1967), as with 9.8 it is the highest rated movie Jean-Luc has worked on!

  1. Weekend (1967)
  2. Cléo from 5 to 7 (1962)
  3. Masculin FĂ©minin (1966)
  4. Contempt (1963)
  5. Breathless (1960)

1. Weekend (1967 Movie)

The best rated movie Jean-Luc Godard has been a part of is the drama, comedy, adventure movie Weekend, where they had the role of directing. It has a rating on Friendspire of 9.8 and 7.0 on IMDb .

2. Cléo from 5 to 7 (1962)

Cléo from 5 to 7 has a rating on Friendspire of 8.7 and 7.9 on IMDb . Jean-Luc Godard worked on this drama movie as directing.

3. Masculin FĂ©minin (1966)

In Masculin FĂ©minin Jean-Luc Godard was worked as director, writer. This drama, romance movie has a rating on Friendspire of 8.7 and 7.4 on IMDb .

4. Contempt (1963)

This drama movie has a rating on Friendspire of 8.4 and 7.5 on IMDb . In Contempt Jean-Luc Godard had the role of directing.

5. Breathless (1960)

Jean-Luc Godard was a part of the movie Breathless as directing. This drama, crime movie has a rating Friendspire of 8.1 and 7.7 on IMDb .

Frequently asked questions

When was Jean-Luc Godard born?

Jean-Luc Godard’s birthday is on 3 December 1930 .

What is Jean-Luc Godard’s gender?

Jean-Luc Godard is male.

Where was Jean-Luc Godard born?

Jean-Luc Godard was born in Paris, France.

What is Jean-Luc most known for?

Jean-Luc Godard is most known for directing. Jean-Luc has worked on 209 movies and 1 TV shows.

What is Jean-Luc Godard’s highest rated movie?

The best rated movie they have been a part of is Weekend, which has a score of 9.8.

Jean-Luc’s Filmography

As Snitch. A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.

As The Lover Reading Poe (voice) (uncredited). Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.

Executive producer. A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations.

Executive producer. Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.

As Actor in Silent Film. AgnĂšs Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, ClĂ©o from 5 to 7 is a spirited mix of vivid vĂ©ritĂ© and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.

As Lang's Assistant Director. A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.

Executive producer. An American private-eye arrives in Alphaville, a futuristic city on another planet which is ruled by an evil scientist named Von Braun, who has outlawed love and self-expression.

As Narrator (voice) (uncredited). Cinephile slackers Franz and Arthur spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile. The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory -- which could be just what they want.

As Narrator (voice). As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.

As Self (archive footage) (uncredited). Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinĂ©ma selon Hitchcock”), written by François Truffaut and published in 1966.

Executive producer. Paul, a young idealist trying to figure out what he wants to do with his life, takes a job interviewing people for a marketing research firm. He moves in with aspiring pop singer Madeleine. Paul, however, is disillusioned by the growing commercialism in society, while Madeleine just wants to be successful. The story is told in a series of 15 unrelated vignettes.

Executive producer. Anne-Marie Miéville, frequent collaborator of Jean-Luc Godard, made this partner piece to Godard's own 'Je vous salue, Marie'. Marie, eleven years old, is experiencing difficult times. Her parents will separate. The perception of her universe is profoundly disturbed. This exacting portrait of a child immersed in her books, music and dancing casts a dispassionate yet touching eye on the girl's reaction to the new upheaval in her life.

Executive producer. In this modern retelling of the Virgin birth, Mary is a student who plays basketball and works at her father's petrol station; Joseph is an earnest dropout who drives a cab. The angel Gabriel must school Joseph to accept Mary's pregnancy, while Mary comes to terms with God's plan through meditations that are sometimes angry and usually punctuated by elemental images of the sun, moon, clouds, flowers, and water.

As Self. During the 1982 Cannes Film Festival, Wenders asks a number of global film directors to, one at a time, go into a hotel room, turn on the camera and answer a simple question: "What is the future of cinema?"

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