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Lois Siegel

Directing

15 Movies0TV shows
0/15 rated

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About Lois Siegel

Lois Siegel is most well known for directing, and has 15 known credits, of which 15 are movies, and 0 are TV shows.

Lois Siegel’s highest rated movies

If you enjoy Lois Siegel’s movies you should definitely watch Canada Vignettes: Stunt Family (1978) Lois has worked on!

  1. Canada Vignettes: Stunt Family (1978)
  2. Painting with Light (1974)
  3. A 20th Century Chocolate Cake (1983)
  4. Pancake on a Hot Tin Roof (1990)
  5. Brandy Alexander (1976)

1. Canada Vignettes: Stunt Family (1978 Movie)

The best rated movie Lois Siegel has been a part of is the documentary movie Canada Vignettes: Stunt Family, where they had the role of directing. It has a rating 5.3 on IMDb.

2. Painting with Light (1974)

Lois Siegel worked on this movie as directing.

3. A 20th Century Chocolate Cake (1983)

In A 20th Century Chocolate Cake Lois Siegel was worked as director. This movie has a rating on 5.6 on IMDb.

4. Pancake on a Hot Tin Roof (1990)

In Pancake on a Hot Tin Roof Lois Siegel had the role of directing.

5. Brandy Alexander (1976)

Lois Siegel was a part of the movie Brandy Alexander as directing.

Frequently asked questions

What is Lois Siegel’s gender?

Lois Siegel is female.

What is Lois most known for?

Lois Siegel is most known for directing. Lois has worked on 15 movies and 0 TV shows.

What is Lois Siegel’s highest rated movie?

The best rated movie they have been a part of is Canada Vignettes: Stunt Family, which has a score of 0.0.

Lois’s Filmography

Executive producer. This short film from the Canada Vignettes series profiles a unique French-Canadian family, the Fourniers, 12 of whom work as stunt men and women for films.

Executive producer. Painting with Light consists of images produced by moving light. Techniques include re-filming slides in an animation fashion. Original slides are time-exposure images of color-filtered light. The experiment questions whether light can be controlled in a manner similar to that of the painter-artist. The use of an optical printed allows some manipulation or extension of certain scenes. Also, unmasked negative printing is intercut to strengthen the "painting" effect.

Executive producer. Greg and Charles, two young men in Montreal, are trying to find creative fulfillment in their professional lives; Greg pursues work as a freelance writer of human interest journalism, while the openly gay Charles takes a job as a dancer in a gay bar.

Executive producer. A fish in pursuit of a banana; a hand with drawers; a show bar, complete with bird bartender; an ear umbrella stand; and a man whose nose ticks like a clock.

Executive producer. Veteran radio, theatre, television and film actor Christopher Plummer has played a thousand parts, but beneath that elegant stage presence lies the restless heart of a risk-taker. Don't miss this engaging biography.

Executive producer. Eight years in the making, Lois Seigel's documentary paints a vivid portrait of Montreal's gay and transgender population, paying special focus to drag queens and transvestites. Those interviewed include a dancer from the famed Les Ballets Trockadero de Monte Carlo, and locally famed characters such as Armand Monroe, Guilda, and Bobette.

Executive producer. This feature documentary uses animation, archival stills and live-action footage to detail the history of women's participation in the largely male-dominated world of baseball and softball. Zany and affectionate, it features 7-year-olds learning the rules and skills of the game and 50-year-olds hitting home runs, from the early days of the Bloomer Girls to the heyday of the Colorado Silver Bullets.

Executive producer. Stark black and white photographs of faces airbrushed with color.

Executive producer. a film about the nature of the individual in the world and about the individual as he moves from one space to another, shadowed by structures.

Executive producer. Through the use of pixilation, this zany film introduces strange characters and happenings.

Executive producer. The account of a man without qualities. He's the leftover face in the crowd who collects images, the unwanted images discarded by people without even a glance. He tells us stories as he moves through no particular time toward no particular space.

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