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Arthur Maria Rabenalt


94 Movies0TV shows
0/94 rated


About Arthur Maria

Arthur Maria is a 116 years old male from Wien, Austria. Arthur is most well known for directing, and has 94 known credits, of which 94 are movies, and 0 are TV shows.

Arthur Maria’s highest rated movies

If you enjoy Arthur Maria’s movies you should definitely watch Carrie (1965) Arthur has worked on!

  1. Carrie (1965)
  2. Der letzte Walzer (1953)
  3. Die Sonne von St. Moritz (1954)
  4. St. John's Fire (1939)
  5. Das Mädchen Christine (1949)

1. Carrie (1965 Movie)

The best rated movie Arthur Maria has been a part of is the music movie Carrie, where they had the role of directing. It has a rating 6.7 on IMDb.

2. Der letzte Walzer (1953)

Der letzte Walzer has a rating on 5.7 on IMDb . Arthur Maria worked on this drama, history, romance movie as directing.

3. Die Sonne von St. Moritz (1954)

In Die Sonne von St. Moritz Arthur Maria was worked as director.

4. St. John's Fire (1939)

In St. John's Fire Arthur Maria had the role of directing.

5. Das Mädchen Christine (1949)

Arthur Maria was a part of the movie Das Mädchen Christine as directing. This drama, history movie has a rating 6.2 on IMDb.

Frequently asked questions

When was Arthur Maria born?

Arthur Maria’s birthday is on 25 June 1905.

What is Arthur Maria’s gender?

Arthur Maria is male.

Where was Arthur Maria born?

Arthur Maria was born in Wien, Austria.

What is Arthur most known for?

Arthur Maria is most known for directing. Arthur has worked on 94 movies and 0 TV shows.

What is Arthur Maria’s highest rated movie?

The best rated movie they have been a part of is Carrie, which has a score of 0.0.

Arthur’s Filmography

Executive producer. Crime Thriller with Helmut Qualtinger as Chief Inspector who investigates a Murder in 1961 Vienna. The murder is based on a real murder, the "bathub murder", which gained quite some media attraction in austria in the 1940's.

Executive producer. Lehar's The Land of Smiles touches the heart as it provides unforgetable melodies from start to finish. There are no weak links in the cast. Too often, we think of operetta as musical fluff, tired cliches, and obligatory dance scenes when things start slowing down. Not so in this classic operetta. We feel the pain of loss suffered by the two main characters, who make their roles natural and believable. There is more to this work than "Yours Is My Heart Alone." There is dramatic consistency and people you find yourself caring about as much as the music, the costumes, and the colorful sets.

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