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Carrie Haber

Editing

9 Movies0TV shows
0/9 rated

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About Carrie Haber

Carrie Haber is most well known for editing, and has 9 known credits, of which 9 are movies, and 0 are TV shows.

Carrie Haber’s highest rated movies

If you enjoy Carrie Haber’s movies you should definitely watch The Roommate (2014) Carrie has worked on!

  1. The Roommate (2014)
  2. Focus (2014)
  3. The Midway (2014)
  4. Mud (2014)
  5. End of Message (2014)

1. The Roommate (2014 Movie)

The best rated movie Carrie Haber has been a part of is the animation, comedy movie The Roommate, where they had the role of editing. It has a rating 6.6 on IMDb.

2. Focus (2014)

Carrie Haber worked on this animation movie as editing.

3. The Midway (2014)

In The Midway Carrie Haber was worked as editor.

4. Mud (2014)

This animation movie has a rating on 6.3 on IMDb. In Mud Carrie Haber had the role of editing.

5. End of Message (2014)

Carrie Haber was a part of the movie End of Message as editing.

Frequently asked questions

What is Carrie most known for?

Carrie Haber is most known for editing. Carrie has worked on 9 movies and 0 TV shows.

What is Carrie Haber’s highest rated movie?

The best rated movie they have been a part of is The Roommate, which has a score of 0.0.

Carrie’s Filmography

Executive producer. Fed up with her roommate’s incessant shopping and hoarding, a girl takes matters into her own hands in this comical take on vlogging and the art of co-habitation. Inspired by found sound of a shopper’s vlog, nourished with Saturday morning cartoons, and produced as part of the 10th edition of the NFB’s Hothouse apprenticeship.

Executive producer. A 1-minute cart ride through the mental shopping mall of attention deficit disorder. Inspired by found sound of a shopper’s vlog, hand-drawn without a light table, and produced as part of the 10th edition of the NFB’s Hothouse apprenticeship.

Executive producer. Children wait their turn for a once-in-a-lifetime roller coaster ride. A loving and poignant meditation on childhood and the passage of time. Inspired by found sound of a theme park in the distance, lyrically rendered in pencil and paper, and produced as part of the 10th edition of the NFB’s Hothouse apprenticeship.

Executive producer. Children guide the audience through a vision of shifting digital polygons in this CGI take of the beloved NFB classic Helicopter Canada. An expression of the experience of wonder and discovery, carved from pixels and produced as part of the 10th edition of the NFB’s Hothouse apprenticeship.

Executive producer. Voicemails get lost and found in space in this thoughtful commentary on the fractured act of communication and the spaces between people trying to express themselves. Inspired by found sound of missed voicemails, animated in inky black and electric colour, and produced as part of the 10th edition of the NFB’s Hothouse apprenticeship, in collaboration with the Mexican Film Institute.

Executive producer. A mink walks into a fur store. Fantastic Mr. Fox meets The Shining in this stop-motion cautionary tale of what happens when we don’t think enough about what we buy. Inspired by found sound of two dogs growling, proudly animal-friendly, and produced as part of the 10th edition of the NFB’s Hothouse apprenticeship.

Executive producer. Oil-covered fish meet skateboards and the War on Terror in this razor-sharp satire of media, government, and the tycoons who take advantage of the system. Inspired by found sound of kids talking about oil and gas, hand-drawn with love and produced as part of the 10th edition of the NFB’s Hothouse apprenticeship, in collaboration with the Mexican Film Institute.

Executive producer. In this surrealist stop-motion animation, two disembodied wigs give in to their desires and grow themselves into something a little more whole. Inspired by found sound of two dogs growling, decadently delicious, and produced as part of the 10th edition of the NFB’s Hothouse apprenticeship.

Executive producer. Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

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