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Kimble Rendall


6 Movies0TV shows
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About Kimble

​From Wikipedia, the free encyclopedia Kimble Rendall is an Australian director, musician and writer mostly known for his Second unit direction of Matrix Reloaded (2003), Matrix Revolutions (2003), I, Robot (2004), Casanova (2005) and Ghost Rider (2007). As a musician Rendall was guitarist, vocalist and co-founder of punk rockers XL Capris and of rock band Le Hoodoo Gurus. Description above from the Wikipedia article Kimble Rendall, licensed under CC-BY-SA, full list of contributors on Wikiped... Read more


1 January 1954

Place of Birth:

Sydney, Australia

Kimble’s Filmography

Executive producer. A freak tsunami traps shoppers at a coastal Australian supermarket inside the building ... along with a 12-foot great white shark.

As Himself. This is a three-part documentary (i.e. Spirit of Vengeance, Spirit of Adventure and Spirit of Execution) which mixes behind the scenes materials and interviews. The program opens with info about bringing Ghost Rider to the big screen, the script and story, cast and Nicolas Cage's interest in the project, the flick's tone and its motorcycles. From there it digs into sets, characters, costumes and makeup, music, shooting in Australia, cinematography, and stunts. In addition, it looks at visual effects, editing, score, and other aspects of post-production. Part Three of the program mostly drops the interviews to completely follow the "fly on the wall" approach.

Executive producer. The story of the 1983 America's Cup challenge, where the Australian team financed by business tycoon Alan Bond, finally wrests the cup from the New York Yacht Club, after an unbroken 132 year winning streak.

Executive producer. Hayride to Hell is a 1995 Australian short subject directed and written by Kimble Rendall. It tells the story of salesman George Weygate, who comes across a girl begging for his help. Only shown in late night art houses, the film has never been widely released. It is believed that Kylie Minogue became involved in the project as a favour to the director, whom she would work with five years later on the film Cut (2000).

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