Małgorzata Szumowska

Executive producer. For her entire life, the cult she was born into has been all that teenage Selah has known. Along with a band of similarly cloistered young women she lives seemingly unstuck in time, cut off from modern society in a remote forest commune presided over by a man called Shepherd, a controlling, messiah-like figure with a frightening dark side. But when her insular world is rocked by a series of nightmarish visions and disturbing revelations, Selah begins to question everything about her existence—including her allegiance to the increasingly dangerous Shepherd.

Executive producer. One woman's journey for self-discovery and turns into a harrowing tale of survival.

Executive producer. Zenia is an industrious Ukrainian migrant worker in Poland who makes house calls as a masseur to the needy and aspirational residents of a middle-class gated community near Warsaw. He is privy to all of their problems, anxieties and secrets – and something of an unwitting guru figure. Zenia’s grounded spirituality, apparent healing powers and broad shoulders make him an object of lust for many of the lost souls in the community.

Executive producer. A pregnant 22-year-old with a dreary job, a difficult home life and an absent boyfriend learns to love her life and share this love with the child in her womb.

Executive producer. The contemporary story of a priest who launches a centre for troubled youth in a small parish. He is a good priest and is well-liked by his congregation, which remains unaware of his complicated past.

Executive producer. After fun-loving metalhead Jacek is disfigured in an accident at work, he becomes the first person in Poland to receive a face transplant. This leads to his status as a media spectacle and martyr, all while battling ensuing identity issues as a consequence.

Executive producer. A busy attorney, worried that his anorexic daughter Olga might try to harm herself, since she's still grieving over her recently deceased mother, sends her to see a psychiatrist, Anna, who's dealing with her own loss in an unusual way.

Executive producer. "All Inclusive" tells the story of seven women who are going on holidays to Morocco, getting out of the hotel and confronting women from Morocco. They will look for their own way of life in the desert, confront their world, looking at the reality that surrounds them. As the author says about her film: "It talks about Polish women who are going on holiday, and then they break away from the tourist reality and go deep into Morocco. They throw themselves into a completely wild experience with themselves, with their femininity. The movie is played by women who I found at castings throughout Poland."

Executive producer. A journalist tries to balance the duties of marriage and motherhood while researching a piece on college women who work as prostitutes to pay their tuition.

Executive producer. A portrait of a family living in a village in Masuria.

Executive producer. The Polish artist Julia and her husband Piotr, a talented and successful composer, live in Kraków. When Julias's mother, Barbara falls ill with stomach cancer, the life of the family is falling apart. Julia accompanies her mother to death, but her husband Piotr is at rehearsals in Cologne and leaves her to cope with this difficult situation. Only her friend Adrian is at her side. Her father Jurek is also overwhelmed by the impending loss of his beloved wife. After the death of the mother her father takes comfort from alcohol. Shortly after the father dies. Julia found only in the arms of Adrian to rest, but this in turn destroyed her marriage to Piotr. After the loss of the parents and break up of the marriage she is now alone in the world with an uncertain future where Adrian is of little help

Executive producer. It is night in Warsaw. Two very different homes. In one, a father watches sports lying on the sofa, expecting the son to do the same. In another apartment, a wealthy-looking mother sits at the table to dine with her daughter, completely different from her. At the same time, the boy and the girl embark on a nocturnal adventure of transformation, during which they strip off the various stratifications of gender that they have inherited. The streets of the city are transformed into a liberating walkway. When by chance they meet – face to face, body to body – they mirror each other in silence, offering comfort, safety.

As Herself. The film was inspired by one of the most important documentaries shot by Krzysztof Kieślowski, Talking Heads (1980). The director asked his interlocutors seemingly simple questions, such as “Who are you?” and “What do you want?”.