Mahine Rouhi is most well known for directing, and has 8 known credits, of which 8 are movies, and 0 are TV shows.
If you enjoy Mahine Rouhi’s movies you should definitely watch Tamis (2013) Mahine has worked on!
The best rated movie Mahine Rouhi has been a part of is the movie Tamis, where they had the role of directing.
Mahine Rouhi worked on this movie as directing.
In Tischk Mahine Rouhi was worked as director.
In PTKHO Mahine Rouhi had the role of directing.
Mahine Rouhi was a part of the movie Didam as directing.
Mahine Rouhi is most known for directing. Mahine has worked on 8 movies and 0 TV shows.
The best rated movie they have been a part of is Tamis, which has a score of 0.0.
2013 . 9 m
Executive producer. "A hand-painted film by Mahine ROUHI made using blades of grass, stones, a buzzard's feather and Chinese ink. The film was then printed and modified with an optical printer during a residency at MIRE's workspace (Nantes)." -Olivier FOUCHARD "A big sheet to protect the table, some stones, a bird's feather and a variety of foliages – Chinese ink - to dip, put down, grate, remove, go over it again and to let it dry." - Mahine ROUHI
2006 . 31 m
Executive producer. A grand and mythical landscape tries to get rid of its past. A cleansing, a rebirth on celluloid. - IFFR
2004 . 37 m
Executive producer. The pace of the film, step by step, sometimes blind, sometimes radiant, a one-way ticket, long before or after the story itself, brings the image to fruition. Like a mineral, enigmatic, a fragment of an ancient language.
2001 . Drama . 7 m
Executive producer. An escape from a dream back to earth, phenomenally ringing sound poetry. All of this happens whilst waiting for the miracle to pass away. PTKHO is a dreamy riddle, a reflective experiment by Mahine Rouhi.
2000 . 11 m
Executive producer. "A form emerging from the cinematographic material paces mountain trails. Singular irruption that disappears and blends into nature and its representation. There is no more separation, or so little, between being and the world, yet irreconcilable. The voice is tense, it becomes this arc between nature and the character that seems to bring back to the surface of the screen cinematic flashes forever forgotten. The film of Mahine ROUHI convokes other times which inscribe the transition from one state (psychic, physical) to another. These changes occur at different speeds, on different emulsions according to various treatments. The plasticity that results is not the least quality of this film that revives the mythopoetic cinema. " Yann BEAUVAIS .
2006 . 8 m
Executive producer. "Dirty" images. Super8. Landscapes and delicious abstractions. Images shot in 1997 by Mahine ROUHI, framed like a photographer would do and hand-processed in an improvised lab "Le Métronome" (Marseille). Blow-up in l'Abominable, in 16mm, in 2006.
2013 . 1h 0m
Executive producer. "Yâd: the memory. Childhood memory strucks by the war. The adult finds comfort and support rapt of contemplation over wild landscapes and sings life in a hardly murmured pain..."
2015 . 8 m
Executive producer. These images are camera essays and exercises that Mahine had shot. This is also the portrait of director Birgit Schiemann whose face was demolished after she had been attacked in Georgia, than reconstituted with the help of plastic surgery. Images date from before the time of the aggression. Since then, we have lost contact... Dusty images have been thrown in a bin and then multiplied and, craftly, tell us about a time of the past, a lost time found again through film. The ghost of Brigit is now fixed in time, but is she still alive?