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Manuel von Stürler

Directing

3 Movies0TV shows
0/3 rated

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About Manuel von

Manuel von is most well known for directing, and has 3 known credits, of which 3 are movies, and 0 are TV shows.

Manuel von’s highest rated movies

If you enjoy Manuel von’s movies you should definitely watch Winter Nomads (2012) Manuel has worked on!

  1. Winter Nomads (2012)
  2. La fureur de voir (2017)
  3. Sìrìrì (2021)

1. Winter Nomads (2012 Movie)

The best rated movie Manuel von has been a part of is the documentary, history movie Winter Nomads, where they had the role of directing. It has a rating 7.5 on IMDb.

2. La fureur de voir (2017)

Manuel von worked on this movie as directing.

3. Sìrìrì (2021)

In Sìrìrì Manuel von was worked as director.

Frequently asked questions

What is Manuel most known for?

Manuel von is most known for directing. Manuel has worked on 3 movies and 0 TV shows.

What is Manuel von’s highest rated movie?

The best rated movie they have been a part of is Winter Nomads, which has a score of 0.0.

Manuel’s Filmography

Executive producer. Pascal, 53, and Carole, 28, are shepherds. In the month of November 2010, they embark on their long winter transhumance: four months during which they will have to cover 600 km in the Swiss-French region, accompanied by three donkeys, four dogs and eight hundred sheep. An exceptional adventure is about to begin: they brave the cold and the bad weather day in day out, with a canvas cover and animal skins as their only shelter at night. This saga reveals a tough and exacting profession, requiring constant improvisation and unflinching attention to nature, the animals and the cosmos. An eventful journey with surprise encounters, moving reunions with farmer friends, nostalgic figures of country life that is shrinking away fast. Αn adventure film, a contemporary road movie, a reflection of our current world, which takes us back to our roots and our inner questions.

Executive producer. Sight, like other senses, is as much a matter of personal experience as of the absence of possible comparisons. How can we know what others see and in what way? How can we describe when our reference points are constantly escaping? Faced with the risk of blindness since childhood, Manuel von Stürler lives in dread of this fate and condition; his lust for sight (Fureur de voir) retraces an initiatory journey into the universe of vision and senses, into the definition of darkness or of nothing.

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