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Marion Byron

Acting

30 Movies0TV shows
0/30 rated

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About Marion

From Wikipedia, the free encyclopedia Marion Byron (born Miriam Bilenkin; March 16, 1911, Dayton, Ohio – July 5, 1985, Santa Monica, California) was an American movie comedian. After following her sister into a short stage career as a singer/dancer, she was given her first movie role as Buster Keaton's leading lady in the film Steamboat Bill, Jr. in 1928. From there she was hired by Hal Roach to co-star in short subjects with Max Davidson, Edgar Kennedy, and Charley Chase, but most significant... Read more

Birthday:

16 March 1911

Place of Birth:

Dayton, Ohio, USA

Marion’s Filmography

As Bridge Player (Uncredited). A doctor who is also a “mentalist” confesses to a murder. The only problem is that the murder he’s confessed to hasn’t happened yet – although dead bodies are now starting to turn up all over the place. A reporter sets out to solve the “mystery”.

As Soda Jerk (uncredited). An innocent, young, small town church organist is thrown out of her home, told she was adopted and that her mother was an evil woman. She follows a crush to the big-city and left fending for herself.

As Joanna. Golden Dawn (1930) is a musical operetta released by Warner Brothers, photographed entirely in Technicolor, and starring Walter Woolf King and Noah Beery. The film is based on the semi-hit stage musical of the same name by Oscar Hammerstein II and Otto Harbach. Beery's extraordinarily deep bass voice registers particularly well in the songs.

As Marion. Two girls are invited by one of the girls boy-friend's tight boss for dinner. On the way they stop for a cheap ice-cream. But swinging doors, ventilators, cops and a brat make it nearly impossible to get the ice cream even close to the car where the rest are waiting.

As Grace (Uncredited). On the back of the Wall Street Crash of 1929, a young business man is about to commit suicide. With the note to his wife scribbled down and a gun in his hand, he notices a thick envelope addressed to him at the desk. As he begin to read, we're taken back to the days of WW1 and his meeting with a young woman named Mary Lane.

As Mazie. Marty Reid, the star quarterback at Sanford College, is constantly singled out by the opposition for punishment, and he swears to his pal, Honey Smith, and to Coach Wilson that he will quit the game forever. Ed Kirby, who dislikes Reid, calls him yellow, and Wilson gets Patricia Carlyle, the college vamp, to induce Reid to play. At a sorority dance, where only football players can cut in, Kirby persecutes Reid by dancing with Pat, and as a result Reid does apply to play in the game.

As Margery. Peter Brooks is a hard-working, hard-up college student whose dislike of women attending college weakens under the amorous advances of spoiled socialite coed Joan Madison.

Executive producer. Cabaret dancer Anna Janssen kills her sugardaddy and escapes to a South Seas island on the yacht of a wealthy admirer. Stolid, conscientious Tom McCarthy, a New York detective, is sent after Anna and arrests her, chartering a steamer to bring her back to the United States. The steamer sinks, and Anna and Tom are stranded on a small island. They fall in love, and Tom's influence brings about a benign change in Anna's character. They are rescued, however, and Anna is placed on trial for her life. Tom takes the stand in her defense and informs the judge of Anna's conversion in the solitude of the island. The judge instructs Tom to marry Anna and then sentences them to life--on the island where they found happiness together.

Executive producer. Anita and Marion take a temporary job as waitresses in Max's diner, next to a train station. When the train stops off, pandemonium erupts when the passengers fill the diner and all want meals immediately. This film only survived in parts.

As Marion Davidson. The pretty daughter of a bank clerk meets a handsome college student who attempts to romance her. Due to the comical nature of the two kids meeting, the father suspects the student to be of ill repute and he and his wife conspire to scare him away by acting crazy.

As Marion. Anita and Marion realize that an abandoned baby they sneaked into an orphanage was kidnapped from a millionaire. For the reward, they proceed to break into the institution at night, dressed as men to beat curfew, to get the kid out again. This film survives only in very fragmentary form.

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