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Susan Morgan Cooper

Directing

4 Movies0TV shows
0/4 rated

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About Susan

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Susan’s Filmography

Executive producer. The political murder of a Moscow lawyer and the cancellation of 259 pending American adoptions of Russian orphans are seemingly disparate events found to have a deep and insidious connection. Connecting the dots from Russia’s warehousing of abandoned and special needs children to the cross-borders dealings of a billionaire investment banker to one American family’s tragedy, the film explores how Russian political corruption is linked to a single adopted child, whose accidental death becomes the declared reason behind Putin’s Russian Adoption Ban.

Executive producer. During the Chinese Cultural Revolution, millions had their lives destroyed...their reputations ruined. Mulberry Child is the story of the persecution and survival of Jian Ping's family during this difficult period. After growing up in Socialist China, Jian must learn to assimilate to a Capitalist world when she migrates to the United States. In pursuit of the American dream, Jian develops an emotional disconnect between her and her privileged American-born daughter, Lisa. Will a trip to the 2008 Beijing Olympics and a journey into the past forge a healthier relationship between mother and daughter? The film teaches us the human capacity for courage and endurance, and shows how the events of the past will affect our future.

Executive producer. In 1968, in 1/500th of a second Eddie Adams photographed a Saigon police chief, General Nguyen Nyoc Loan, shooting a Vietcong guerilla point blank. Some say that photograph ended the Vietnam War. The photo brought Eddie fame and a Pulitzer, but Eddie was haunted by the man he had vilified. He would say "Two lives were destroyed that day, the victim's and the general's." Others would say three lives were destroyed. Eddie Adams, like most artists, was tortured by his need for perfection. Nothing he did ever satisfied him. He carved out many careers shooting covers for Life, Time, and even Penthouse. Yes somehow, he was always pulled back into documenting wars, 13 all together. Finally he hit the wall and couldn't take it anywmore. He began shooting celebrities because 'It doesn't take anything from you.' Eddie was comfortable with kings and coal miners. During his time with Parade Magazine he photographed Clint Eastwood, Louis Armstrong, Mother Theresa, and Pope John Paul II.

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